KXT IS AFFORDABLE AND ACCESSIBLE

KXT is affordable and accessible.  

Previews at KXT are at the low price of $30 *these sell quickly so book early

Every Thursday is our regular $20 for 20s. If you’re under 30 you can get the cheapest ticket in town.

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We have flat access from street level for those with mobility needs

KXT on Broadway is accessible by wheelchair We also have dedicated seating for hearing and sight impaired.

We’re dead keen to see Mums and bubs at the theatre, get in touch and we’ll set you up with the best easy exit seats

Note that some seasons run a dedicated RELAXED PERFORMANCE during their final week. Get in touch and let us know what you need.

Ticket prices remain the most affordable in Sydney with prices ranging $20 - $45

KXT on Broadway has all-genders bathroom facilities, and we’re working to keep signage warm and welcoming. 

EARLY BIRD tickets are available for all shows at KXT, only $30. Book early and often

Through our Open the Door program we connect with not for profits and marginalised communities to provide free tickets for those who might not normally go to the theatre. 

KXT is affordable and accessible.

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KXT is a COVID SAFE VENUE

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We are proud of our record of Covid management: since implementing our Covid Management Policies in 2021, KXT has been minimally impacted by Covid Cancellations. The last time a performance was cancelle due to Covid was in June 2022, and prior to that we were able to support affected companies as they managed the impacts of illness. This is despite delivering more work than any other venue in Sydney. Key to this success has been our masking policy. See below for details.

2023:

Please wear a mask while in the theatre seating banks.

You may enjoy a drink in the foyer and you’re welcome to take it into the theatre with you

Online ticketing only

Not latecomers will be admitted entry

If you are unwell or show any symptoms we ask that you please stay home

PLEASE NOTE: Our covid regulations are designed to protect the actors and crew that work at KXT. Indie budgets are tight, and have no room for under studies, and should a member of the company fall ill and performances need to be cancelled this can cost the company significant income. This is a small thing we can do to keep shows on stage and venues open

NSW Health Regulations change regularly and we will be in touch prior to the performance to notify you of an updated information 

 

KXT x COVID What We Did

2020 – 2023: KXT may have closed the theatre doors to audience during Covid, however we used the time available to us to make plans and implement programs that have ensured the venue thrived.

  • During lockdowns we leant into our already robust mentoring program, launching Phone A Friend to support those emerging and graduating artists who were most impacted, by connecting them via Zoom with leading arts practitioners. We took our Step Up program to the next level, supporting young artists to develop, write and plan for upcoming seasons. We invested heavily in a program of support for producers to be sure they could launch successful work quickly when doors reopened

  • As we came out of lockdowns, we first showcased the work of designers – those artists whose work needs a stage - launching By Design with a 3 week art installation. The season featured a week long durational work by Aleisa Jelbart; a short film by Jasmin Simmons, her first; and a breathtaking installation by WA designer Kelly Fregon. *Based in WA, border closures meant Kelly was unable to travel to NSW, and her work was created, packed up and shipped to a colleague in Sydney, who delivered and installed with Kelly on video call.

  • We invested heavily in the bAKEHOUSE residency program, opening the doors to KXT to writers, directors, actors and producers to investigate and develop new work. This program included the development of Hubris & Humiliation which was picked up from KXT by STC; the development of the 3 most recent plays in the Belvoir 25a program: The Italians by Danny Ball, Feminazi by Laneikka Denne and Porpoise Pool by Jojo Zhou; and offered time for additional work on award-winning productions Symphonie Fantastique and Yellow Face

  • Via our Open the Door platform we invested in short affordable and award-winning seasons of work from the graduates of our Step Up program, most notably Natives dir by Charlie Vaux and prod by Emily Buxton; and Three Fat Virgins Unassembled by Ovidia Yu dir by Tiffany Wong.

  • We relaunched StoryLines, the bAKEHOUSE platform showcasing the work of writers and artists of colour, partnering with kwento on Saman Shad’s The Marriage Agency and One Hour No Oil by Jordan Shea & Kenneth Moraleda. We took Katie Pollock’s Human Activity - the playwright’s response to her bACE Residency in Kamthipura - back into final development ahead of a planned 2023 season

DINE & DISCOVER NSW

REDEEM your NSW DINE & DISCOVER vouchers on shows at KXT

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Thanks to HUMANITIX we can now offer audience the opportunity to redeem their NSW Dine & Discover vouchers on all ticket purchases for shows at KXT

Follow the prompts on all ticket purchases as usual, and you’ll be asked to enter your voucher code on the final check out page.

Note that the vouchers are treated as cash which means the value of your ticket won’t be adjusted on the checkout page, but the amount deducted from your card will be reduced by the value of the voucher.

One voucher per booking only.

Dine + Discover tickets at KXT are facilitated and managed by our ticket partners at HUMANITIX. If you require any assistance please contact their support personnel via the ticket site

 

HERE WE GO...

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OPEN THE DOOR is the bAKEHOUSE open access philosophy that is core to KXT. By developing deep community connections with Not-For-Profits and local organisations, we’ve been able to provide free tickets to those who would not otherwise have been able to attend theatre. We’ve worked with our partners at KX Hotel to make sure our theatre is accessible, with full lift access, gender neutral facilities, all ages access and relaxed performances. We’ve offered heavily discounted tickets to young audience members.

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. We’ve spent the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.

By reopening with a broad program of Artist Support we’re equipping producers and companies to quickly deliver quality productions, investing in the future success of their work.


We’re supporting 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors. We’ve got a couple of covid commissions in the pipeline. We’re continuing our Covid response programs Phone a Friend and Pay It Forward, and rolling out further initiatives designed to keep us connected and moving forward together.


Open the Door is the bAKEHOUSE investment in the future of independent theatre.



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the bAKEHOUSE 2020 Residencies at KXT

have been made possible by the generous support of KX Hotel and Solotel with additional funding support from the City of Sydney


LOOK BACK / MOVE FORWARD

KXT is a busy theatre. A year features back to back seasons in the Kings X Theatre, a year-round popup program in the Bordello, multiple support programs for Artists included emerging writers and new work, a year-long season of play reads, a formalised platform offering mentoring and opportunities for young and emerging artists, and multiple open-door meet ups and networking events

2020 has been a wild ride. The lockdown and temporary halt to all productions was an extraordinary event, and our sector will likely feel its impact for some time yet. Here at KXT the Cost of covid has been high and has meant the cancellation of

14 full scale productions

9 pop up seasons

3 platform programs for new writers

the 2020 mentoring team

6 scheduled play reads

6 networking events

9 production placements for emerging artists (internships)

A month-long fringe program

10 foyer meet-ups

4 artists networking opportunities

 In March when theatres went into lockdown, we had just seen the opening week of Everybody by Brandon Jacobs-Jenkins in a warmly received and well-reviewed season by Cross Pollinate Productions, one of only 3 seasons that made it to the KXT stage. We closed the doors mid-run of a play that took an existential look at the meaning of life, love and death. We had snuck in another season of Charlie Vaux’s Popup Comeout a little festival that does a lot, and we were scheduling meetings to finalise the 2020 Step Up team.

 We made the decision early to leave screen to those best skilled in the medium. Rather we threw all our focus into building a broad program of Artist Support, moving some existing initiatives to a digital platform, extending others to offer more, and launching some new programs. We were most concerned for those artists who were on their way, and for whom the momentum of 2020 was key to the development of their career. With Phone A Friend Rebecca Blake worked with us to connect industry professionals with young producers, directors, designers and actors, Bounce Back was our investment in upskilling emerging producers so they are well equipped to deliver quality work quickly, and we launched The Laboratory, a writer development program led by Saro Lusty-Cavallari, that this year was launched digitally.

 The hard data from the previous 12 months tells a story: 21,928 people attended productions at KXT. 476 artists participated in productions - with additional artists participating in our many industry support programs and events, such as KXTeethcutting our regular play reading program run by Legit Theatre Co. Also in 2019: KXT provided opportunities for 103 working artists in production support and technical design.

 Less than three months in our 2020 season was on track to exceed these numbers.

 There’s nothing quite like a global pandemic for triggering an analysis of how we spend our time, and like many of us we looked closely at how we do what we do and why we do it. And we’re here for another year. The arts, and the independent sector most particularly, is as always fragile, uncertain and underfunded, and we hope that we move forward with a greater understanding of our inter connectedness, and the need for us to work together more closely, and in support of one another.

When the govt said we could open up back in July, Health regs around social distancing meant our audience was at 25% a number that at the time made it impossible for producers to pay artists even the smallest fee, so we made the decision to focus on our Artist Support program with a series of residencies at KXT, investing in the future by supporting 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors.

This has only be possible due to the patronage and ongoing support of our partners at KX Hotel and Solotel.

Back in March we made the commitment to every producer programmed for 2020 that their show was not cancelled, but rather postponed, and we are thrilled that our 2021 launch features some highly anticipated work. We’ve made room for some important new shows and exciting surprises, and we’ll be back in 2021 bright eyed and bushy tailed, newly excited for it all.

2021 // ANNOUNCING…

KXT Storytellers is a pop-up celebration of playwrights and words, the presentation of full-length plays, small pieces of writing, and special events created, launched and curated by Joanna Erskine. The festival has showcased 51 plays, pres by 34 directors working with hundreds of actors.  

Productions of scripts that had their first showing as part of Storytellers include: James Elazzi‘s plays Omar + Dawn and Son of Byblos, The Park by Simon Thomson, Jackson Used’s Lilac, Deadskin by Laneikka Denne, Sam O’Sullivan’s You’re Not Special, and Orange Thrower by Kirsty Marillier. Plays have continued dev as part of STCs rough drafts, and have been programmed at Griffin, NToP, Belvoir and KXT. 

 These are extraordinary results from 2 short seasons, thanks to Jo Erskine’s skill and hard work. Storytellers will be back in 2021 and we can’t wait to see what gems are discovered and polished

The Laboratory is a collaboration between bAKEHOUSE and Montague Basement that aims to foster emerging writers on the cusp of presenting their work on independent stages. Conceived before 2020 did what 2020 did, the writers of The Lab have spent their lockdown with Montague Basement co-director Saro Lusty-Cavallari developing new plays. The Lab Report will be the first public showing of these exciting new works, developed over a weeklong intensive with an amazing team of generous actors. As we emerge from a dark year into a hopefully brighter future, we can’t wait to share the work that’s been created that we have no doubt will be making its way to local stages very soon…

The 2020 Laboraoty writers are Margaret Thanos, Amber Spooner, Declan Coyle, Sime Knezevic, Rebecca Blake, Alex Travers, Jasper Lee-Lindsay, Eric Jiang. The 2020 Lab Report ran over the weekend of 12 and 13 December at KXT, and delivered some astonishing results. Keep an eye out for what happens next.

Applications for the 2021 Laboratory open in January. Check back for details

bAKEHOUSE has long provided opportunities and mentoring, pairing new and emerging artists with professional and experienced practitioners in the crucible of production. STEP UP at KXT is a philosophy ~ a way of working in our sector that connects artists; builds pathways; nurtures new work.

In recent years we’ve focused on a team of young and emerging artists as they put together the building blocks of their careers. Since 2018 Step Up team members have launched their own companies; jumped into opportunities at Darlinghurst TC, NToP, Belvoir, Griffin, Hayes Theatre, Carriageworks and more; some have gone on to study at NIDA, VCA and WAAPA, and others are recipients of highly regarded awards such as the Rose Byrne scholarship, and the Andrew Cameron fellowship. We’re extremely proud of the pathways that have grown from the work at KXT.

Step Up is back in 2021, tweaked and refreshed, and we’ll be opening up applications for the team in January

KXTs profiling of new writing has evolved from the long-held bakehouse commitment to showcasing new Australian work, with productions over the past 10 years of her holiness, Coup D’etat, a Land Beyond the River, His Mother’s Voice, and Junction all grounded in a focus on the too often untold stories of Australia, and our place in the world. 

Most recently in 2019 at KXT we were proud to partner with JACKRABBIT Theatre for the world premiere of Megan Wilding’s A Little Piece of Ash; and then went on to stage James Elazzis Omar + Dawn; the restaging of Tabitha Woo’s A Westerner’s Guide to the Opium Wars; and the award-winning GREEN DOOR THEATRE CO production of Good Dog. Our Popupstairs program featured the world premiere of Doing by Amy Sole.

In 2016 the first bAKEHOUSE production at KXT was the Australian premiere of Black Jesus by Anders Lustgarten with our StoryLines champion Elijah Williams in the title role, and in 2017 we were able to finally bring to the stage The Laden Table and Jatinga, both large cast productions developed over many years with the latter the result of our ongoing work in the slums of Mumbai. Storylines is the umbrella under which all this bAKEHOUSE work sits.

There’s more - much much more - and we are honoured to have partnered in the work with writers, actors, directors and producers who saw the need for and value of changing the stories on our stages. 

In 2021 we step it up.

We have dedicated time in August / September for a StoryLines season, showcasing the work of artists of colour. We’re making room for up to 3 productions by writers of colour, selected by an open call out and playing alongside a support program of play reads and artist workshops.

The program will be led by our StoryLines Ambassadors Renee Lim, and Elijah Williams. We’ve worked with Renee for 10 years now, at Seymour Centre, NIDA, Riverside, ATYP and now KXT. She has been a cast member on a swathe of bAKEHOUSE productions and has served for a time on our Board. We first worked with Elijah Williams on the very first iteration of StoryLines back in 2009, which featured A Land Beyond the River, a play based in part on his life, and then again in 2012 at NIDA and Tamarama Rock Surfers, and in development in 2013 at CRACK festival and ATYP. Elijah’s professional debut was here at KXT, where he was nominated for Best Newcomer.

We plan to move on fresh from the bin fire of 2020, knowing that Sydney’s indie sector is strong, inspired and so very capable, and as always up for the challenge, leading the change and the charge. Thank you for your faith in us. Thank you for being here. Thank you for making it through

**2020 isn’t done with us yet. Click HERE to read a letter from MKA Theatre of New Writing


 


DEVELOPMENT

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. At a time when audience numbers were limited meaning producers were unable to manage realistic budgets and pay artists, we decided to open the doors of KXT to our artistic community. thanks to the generous support of our partners at KX Hotel, we’ve been able to spend the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.

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WARWICK DODDRELL working with Snatched Theatre Collective // Reimagining Sputnik 1

In 2019 Warwick Doddrell directed If We Got Some More Cocaine I Could Show You How I Love You pres by Green Door Theatre Company at KXT. This year, as theatres closed down, Snatched Theatre Collective were preparing to stage the premiere season of Madeleine Stedman’s play April Marlowe’s Abortion, directed by Hannah Goodwin for the Belvoir 25a season.

We’re thrilled to have the team in at KXT for work on their latest project. Stay tuned for more


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"Nonna hated this place when she arrived. She thought this was a godforsaken country. She had the classic 60s housewife thing, where she'd have a drink when no one was noticing ... she'd, she'd - yeah, so I noticed her doing stuff like that, sneaking in extra drinks, always like 'where's the wine? where's the brandy' ... And then of course the Joan Crawford moment, and the top of the stairs with the dressing gown..."

Danny Ball, Jeremi Campese, Thomas De'Angelis and Emma O'Sullivan are co-creating and writing a new Australian play exploring the Italian-Australian experience across generations.

Danny Ball has been in the middle of some of KXTs most audacious work: from seasons of Mercury Fur and The Serpent’s Teeth, the 2017 development of LADS, to launching and co-producing the first seasons of play read programs KXTeethcutting and Storytellers. Jeremy Campesi is back at KXT after Rosaline (2019), Yen (2018), and DNA (2018). Emma O’Sullivan has worked at KXT in the bAKEHOUSE production of Coram Boy and with JackRabbit Theatre for the HiJacked Rabbit season, and Thomas De’Angelis is one part of Bontom productions, co-presenting Disparate Scenes for Millenial Dreams with Periscope Productions.


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image: from the 2017 UK production

Emily Buxton will be taking over the KXT space to workshop UK playwright Glenn Waldron’s play Natives - all about the generation of “digital natives” that are growing up with the internet. She’s excited to work with a team of incredible young actors to explore a bold work that champions young voices and experiences.

Emily was a member of the KXT2019 Step Up team


TOOTH AND SINEW have been regular visitors to KXT with successful seasons going right back to the start of 2016’s Year of the Family. Also Osama the Hero and the groundbreaking U.B.U. featured in 2019s inaugural Popupstairs season. They’re back in the theatre with a development season, led by Artistic Directors Richard Hilliar and Nicole Wineberg

Taking its inspiration from Euripides' The Bacchae, Agave is an exploration of misogyny and what options are available to women who want to destroy it.

Tooth and Sinew has grown passionate about creating brand new work for the stage and developing these pieces through exploration, improvisation and discussion. Experimental and consciously theatrical, this development period is essential to distil many ideas into a cohesive whole.

We look forward to seeing what kind of messes we can make back in the theatre.


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Over three weeks in October, a small group of members from Little Eggs (old and new) will be developing a new work, Symphonie Fantastique

Through live music, dance and movement, the Eggs will be exploring the disturbing love story of Hector Berlioz’s 1803 symphony. A queer and contemporary lens revitalises this production for the twenty-first century, with a tale that is uncomfortably familiar. 

We are so grateful to be back at KXT to explore this production at length. The value of a development period like this is undeniable and we hope to bring a full scale production of this theatricalised symphony in the coming year.

development imagery: Christopher Starnaswki

In 2019 Little Eggs launched our Popupstairs program with a blisteringly beautiful rendition of The Rime of the Ancient Mariner, a part of the JackRabbit season. They’ll be in KXT through October working up their next beauty as part of the bAKEHOUSE investment in new work.

SYMPHONIE FANTASTIQUE was to have featured as part of the 2020 Popupstairs program. We’re thrilled to invite the team to popdownstairs to KXT.

In development, led by Mathew Lee (The Rime of the Ancient Mariner; KXTeethcutting) with Oliver Shermacher

NEW WRITING

2020 has been a rough year. The cost of Covid to the arts community is immeasurable and we expect to feel its impact for years to come. At a time when audience numbers were limited meaning producers were unable to manage realistic budgets and pay artists, we decided to open the doors of KXT to our artistic community. thanks to the generous support of our partners at KX Hotel, we’ve been able to spend the past few months developing work, offering peer networking, connecting early career artists with industry mentors and upskilling producers.


RILEY SPADARO & LEWIS TRESTON

Hubris & Humiliation By Lewis Treston

It is a truth universally acknowledged, that a bogan mother who has lost her home to a predatory cat fish, must send her only gay son to Sydney to marry rich. Elliott Delaney, mediocre looking, kinda bright, poor as shit, understands that he must meet, woo and marry a member of Sydney’s homosexual aristocracy... but he’s still very much in love with his best friend back home, who is in love with someone else. In Sydney, is it better to be bold or will hubris only lead to humiliation?

From the pen of Patrick White Award winning playwright Lewis Treston and directed by self-proclaimed prince of camp Riley Spadaro comes Hubris & Humiliation, a Jane Austen inspired, raucous rom-com.

Workshop cast includes: Toby Blome, Gerard Carroll, Roman Delo, Shannon Dooley, Patrick Jhanur, Emma Kew and Elle Mickel.

A full house joined us for a public reading of Hubris & Humiliation at KXT on Wednesday 2 December at 6.30 pm.

pics: Matthew Predny


BITE PRODUCTIONS

PORPOISE POOL by Jojo Zhou

Bite Productions spends time developing emerging playwright Jojo Zhou’s Porpoise Pool ~ a one-woman show about gratification, expectation and our complicated relationship with technology.


BITE PRODUCTIONS

TWO TWENTYSOMETHINGS DECIDE NEVER TO BE STRESSED ABOUT ANYTHING EVER AGAIN. EVER by Michael Costi

Originally programmed for KXT2020 this production was in the final days of rehearsal, and only a few days away from bump in when lockdown forced the cancellation of all seasons. In the light of a global pandemic, isolation and social distancing, Michael Costi heads back into the room with the cast for an update


RATCATCH THEATRE

THE LINDEN SOLUTION by Alexander Lee-Rekers

Writer Alexander Lee-Rekers and Director Camilla Turnbull will be helming this development at KXT, working with performers Laura Djanegara, Lib Campbell, Mason Phoumirath and Patrick Cullen. They are thrilled to be working together again to further develop The Linden Solution for a new, uncertain world

In the time since the world shut down our economy went into freefall, a virus killed hundreds of thousands, QAnon conspiracies ran rife, class disparities grew more apparent, borders closed down, the climate emergency worsened, and underlying bigotries gained ground and ammunition


EYE CONTACT THEATRE

THE PARK by Simon Thomson (Storytellers Festival) in development with Emma Wright (Blue Christmas) and Jess Davis. Shortlisted for the 2020 Silver Gull Award

Eye Contact Theatre Co were to be staging Breathing Corpses by Laura Wade as part of the KXT2020 season. This production will be held over to 2021. Pick up your Pay It Forward tickets via the link on the KXT website


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Sunshine in Paddington chronicles three Sydney residents trying to make it; one’s an artist, the other a Chemist, and the new roommate? Wants to change the world…As we follow the events and stories of these characters, we get a glimpse into the counter-cultural movements of the last 30 years, from Ohms Not Bombs to today.

Led by KXT Production Assistant Charlie Vaux with Jasper Lee-Lindsay, Alice Ireland, Mat Lee, Lizzie Sheridan


FIGHTING by Xavier Coy

Director Claudia Barrie With Jay James-Moody, Lloyd Alison-Young and Jude Gibson

Fighting is an exploration into the mind of someone grappling with the day to day challenges of mental health. Xavier has battled mental health issues for years and decided to explore those challenges in Fighting.

“I had to find a way to channel what was happening in my head into the best way I know how, a play. This is the scariest play I’ve ever written – it’s the truest representation of how my brain works. I hope this can be an engaging, funny and moving play to continue to converse about the challenges of mental health.”

Director Claudia Barrie (Dry Land; You Got Older; DNA) gets together with Jay James-Moody (Herringbone), Lloyd Alison-Young (The Rime of the Ancient Mariner; Coram Boy) and the fab Jude Gibson (Straight) to take a look at new writing from one of Sydney’s most exciting young talents.



THE LABORATORY

The Lab Report / a showcase

PROGRAM - -

3:00 PM Saturday 12th December

Smoke & Glass By Margaret Thanos, Dir. Tasnim Hossain

With: Arkia Ashraf, Margarita Gershkovich, Rachel Seeto

Eleni, a big-city woman, has chosen to come and live in a firewatch tower in the middle of the forest. She’s sure someone has followed her, dragging the ghosts of her past life here into her new one. She lives alone in the tower, with only a man on the other end of the radio to keep her company. That is until she loses contact with the world outside and a fire, a 17 year old girl and a twisted reality begins to take hold.  

Smoke and Glass explores what true isolation really means, and how once calculated choice can ruin somebody else’s life. 


4:30 PM Saturday 12th December

Let Me Know If You Feel Something By Amber Spooner Dir. Tasnim Hossain

With: Laneikka Denne, Jeremy Lowrencev

Sixteen year old Emma and Joseph are navigating a confusing and uncertain first relationship all while trying to live up to the standards society set for them. Both present an unfailing confidence that stops them from asking the questions they don’t have the answers to. Emma finds herself questioning how things are really meant to be while Joseph feels the weight of responsibility his image provides. Consumed by their own feelings of guilt and pressure causes an act of violence they will never be able to take back. Told as mixture of monologue and duologue this story explores what we learn and what we chose to ignore.


6:00 PM Saturday 12th December

See What Sticks By Declan Coyle Dir. Saro Lusty-Cavallari

With: Will Bartolo, Kevin Batliwala, Pip Edwards, Lulu Howes

Tied down by the social etiquette of attending your employer’s housewarming, Zinnie and Omar brace themselves for Harriet and Rupert’s Grand Designed Monstrosity.

 The building is a ‘timeless’ modern piece of architecture however, a muddy footprint on the stained-glass window forces the Andersons to postpone their perfect housewarming. Again. And again and again, and again as the seemingly invincible mark sends them into a downwards spiral forcing them to question every choice they’ve made.


7:30 PM Saturday 12th December

Various Characters By Sime Knezevic Dir. Saro Lusty-Cavallari

With: Jane Angharad, Nicola Bowman, Kevin Batliwala, Jeremi Campese, Angus Evans, Emma Kew

The beginnings of adulthood. A new business to launch. The distracting heart of first love. The adventure of protest. The future is bright and exciting. It’s supposed to be like this.

Opinions compete. Death is random. People expect more from their neighbour. We have one common enemy. We need to belong to each other. There’s no time to waste.

Somewhere in the roundabout of south-west Sydney... it’s the year 2003. Residents of a small city council seek community and harmony on matters of local significance. A world of young citizens demand their older leaders to change course on matters of international significance. A different time altogether.

Various Characters is a play about the fast and slow of loss and grief and optimism. It’s about the first time you realise the future is uncertain.


3:00 PM Sunday 13th December

Square One By Rebecca Blake Dir. Rachel Chant

With: Julia Billington, Emma Kew

Gemma makes a promise to her ex-girlfriend to stay sober for 6 months whilst she settles back in her home town. Stubbornly determined to keep to her word, she struggles to resettle. With a looming hens night for her newly out cousin and Matt from Bank of Australia keen to help her make the switch, it feels like everyone has their shit together. Except her.

Her coping mechanism is to call and leave ridiculously long voicemails to her ex in an attempt to uncover where it all went wrong. Because isn’t that the healthy way to process your emotions?

Square One is about grief, addiction and finding your people. Told through voicemails.


4:30 PM Sunday 13th December

Oblivion by Alex Travers Dir. Saro Lusty-Cavallari

With: Pip Edwards, Shane Russon

A daughter dances in a sequin dance costume.

A mother threads time.

A father forgets.

As memory collides with fragmented narrative in a world rendered by empty promise, a husband and wife play a lullaby on loop; tantalisingly close to finding their daughter and losing themselves. Set somewhere between the 1970s and now, Oblivion plays an uncanny host to a tiny kingdom of marital habit, family ties and love at every cost.


6:00 PM Sunday 13th December

Sweet Darling Baby Boy by Jasper Lee-Lindsay Dir. Saro Lusty-Cavallari

With: Zoe Crawford, Angus Evans, Cameron Hutt, Susan Jordan, Madeleine Stedman

Audrey has given up and is ready to drink away her days when her eldest son, Nick, kills himself. She wants to commemorate him by putting him on her community’s Honour Wall. But Nick wasn’t exactly an upstanding citizen, and with the town's pride and reputation in the middle of a revamping, Audrey might be bringing something to the surface they would rather forget.

Through a dark satirical lense aimed at suburban Australian culture,Sweet Darling Baby Boy examines how we deal with tough topics, and tackles the conflict between emotional nuance and social acceptability.


7:30 PM Sunday 13th December

Midnight by Eric Jiang Dir. Saro Lusty-Cavallari

With: Jeremi Campese, Sean Foster, Idam Sondhi, Tiffany Wong 

Everyone knows when there's a lull in the relationship it's time to spy on the neighbours. Just know that they're spying back. As Nina gets more and more obsessed, she soon finds herself entangled in a mysterious research experiment called Midnight. Apparently it's all the rage, but where's the exit? Will she ever escape Midnight? And will she ever get her tupper-ware back from the neighbours?



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Following on from an open call out earlier in the year, the following Laboratory participants were announced:

Margaret Thanos - Declan Coyle - Caitlin Doyle Marwick - Eric Jiang - ŠIME KNEŽEVIĆ - Jasper Lee Lindsay - Alex Travers - Rebecca Blake - Amber Spooner




since May 2020 writers have participated in weekly online meetings with additional dramaturgical support from the program’s leader Saro Lusty-Cavallari. “These meetings are an opportunity to share work, ask for help and support each other as we attempt to develop our practice from within the confines of our own home”

The program culminates in a showcase of work


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OPPORTUNITY

bAKEHOUSE and Montague Basement are on the lookout for actors to participate in a series of developments and public showings for the new works created by participants in The Laboratory program. We will be working on each script with two workshops across the week of 7-11 December with public showings that weekend. This is a great opportunity to get back into a rehearsal room and perform before an audience again after the mess that has been 2020. If you're interested in participating please send a CV to montaguebasement@gmail.com with the subject line "LAB ACTOR" and we'll get in touch if an appropriate opportunity arises.

Please note that if you have already submitted to our callout for actors for workshop you are still under consideration.


Over the last few years there has been an explosion of new work across Sydney’s independent stages. As the quality and quantity of the sector grows more and more original voices are beginning their careers at independent venues like KXT, where they benefit from the support of a dedicated and local artistic community. Not only is the creation of this work absolutely vital in it’s own right; in creating an original, local and contemporary voice for our theatre but it also serves as a launchpad for the next generation of major playwrights. Mainstage companies simply do not have the space available to program and support the amount of writing talent that is emerging in Sydney and the independent sector is vital in nurturing this talent. However the lean and streamlined workflow of an independent production can be an unforgiving process for emerging artists, with little formal support between an idea and a first presentation.

This is why bAKEHOUSE and Montague Basement are teaming up to run the The Laboratory, a writer’s circle program for developing work, peer networking and dramaturgical support. The Laboratory seeks to mirror many of the opportunities provided by mainstage programs and drama schools but with a focus on the particular demands of the independent sector as well as nurturing the wonderful artists that finds themselves on the out of these programs.


PHONE A FRIEND

the bAKEHOUSE Step Up program supports new artists, companies and work. bAKEHOUSE has long provided opportunities and mentoring, pairing new and emerging artists with professional and experienced practitioners in the crucible of production. The Step Up program at KXT is a formalisation of this, a way of providing the best opportunities to the best people. STEP UP is a philosophy ~ a way of working in our sector that connects artists; builds pathways; nurtures new work

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2021 with interruptions to business due to the July lockdown in Sydney we moved the Step Up team to a platform of online and digital networking, building relationships with peers and initiating introductions to arts leaders. Stay tuned for news and updates

our thanks to the following artists who generously shared their time

Faezeh Jalali (Mumbai); Rachel Chant; Danny Ball; Imogen Gardem; Alexaner Lee-Rekers; Eliza Scott; Amanda Lee-Stephens (UK)

With special thanks to program facilitator Rebecca Blake


2020 With the closures of theatres across the country we looked for ways to support those artists we had either worked with in recent years or were about to work with in 2020. Those who had seen a year of work disappear, who had momentum and were well positioned to make important career advancements this year.

the Phone A Friend program connects artists with the KXT leadership team, their peers and colleagues, and industry figures. the program features a mix of actors, writers and producers and includes:

Madelaine Osborne - Deng Deng - Laneikka Denne - Michelle Sverdloff - Laura Djanegarra - Karina Bracken - Em Richardson - Bardiya McKinnon  

 

Our thanks to the following mentors: Dom Mercer, Damien Ryan, Shaun Rennie, Tobias Manderson-Galvin, Kristine Landon-Smith, Joanne Kee, Dino Dimitriadis, Shane Bosher, Jeremy Waters, Erin Harvie, Katie Shearer, Erin Taylor, Richard Carroll         

            

 
 

the KXT bAKEHOUSE RESPONSE TO COVID

Rather than close the doors and wait it out, bAKEHOUSE led the way with a commitment to increased investment in our Artists, through a broad program of investment in writing, rehearsing, mentoring and development. When doors opened again we prioritised emerging artists, showcasing new work and young practitioners, fast tracking new writing and providing and intense program of opportunities.

We formalised our bAKEHOUSE Residency program, and to date six seasons of work developed during this time has been staged at KXT and other venues in Sydney

We launched By Design, an ongoing initiative for designers and visual artist

We established Phone A Friend, now a part of our Step up mentoring program

We supported a group of Associate Artists as they formulated the next steps in their career development

BounceBack continued our ongoing producer support program, The Laboratory somehow managed to survive and thrive, and with the support of KX Hotel we were able to offer audiences a broad range of free and low cost events

In 2021 we kickstarted StoryLines with an extended and award winning season presented by Tiffany Wong’s company Slanted Theatre. We partnered with Laneikka Denne to launch The Monologue Collective a writers program investing in teenage playwrights. We hatched a plan for a program of queer writing, we rebooted Storytellers, we partnered with Panimo to offer unprecedented opportunities for young artists.

See below for more about the KXT Covid response in 2020 and 2021

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We’re Opening the Door of KXT again. Our focus is on Artist Support and Engagement, and new work. Featuring the bAKEHOUSE Residencies at KXT.

THE COST OF COVID KXT provides unmatched support for the artistic community in Sydney. Our closure has meant the cancellation of the following • 10 full scale productions • 9 pop up seasons • 3 platform programs for new writers • 2020 mentoring team • 6 scheduled play reads (in partnership with Legit theatre) • 6 networking events (in partnership with Panimo) • Step Up: A year long program of mentoring including 9 production placements (internships); 10 foyer meet-ups; 4 artists networking opportunities

KXT was not cancelled

Rather all shows that would normally have been running during the lockdown period were postponed to a later date. Since March 2020, KXT has built on our existing artist support programs, offering opportunities and upskilling to emerging artists, writers, producers and designers.

In 2019 a total of 21,928 people attended productions at KXT. 475 artists participated in productions with additional artists participating in our many industry support programs and events. Also in 2019: KXT provided opportunities for 103 working artists in production support and technical design. KXT2020 was on track to exceed these figures.

So while we waited …

In 2021 we supported 12 producers, 7 companies, 3 designers, 10 emerging writers and 6 directors. We’ve got a couple of covid commissions in the pipeline. We continued our Covid response programs Phone a Friend and Pay It Forward, and rolled out further initiatives designed to keep us connected and moving forward together.

the bAKEHOUSE RESDIENCIES at KXT …By reopening with a broad program of Artist Support we equipped producers and companies to quickly deliver quality productions, investing in the future success of their work. Producer-led teams moved into the theatre to develop scripts, and explore and imagine new projects.

DESIGNERS …bAKEHOUSE commissioned three independent designers and artists for something a little bit special

#PAYITFORWARD …the bAKEHOUSE investment in producers and production companies, assisting theatre makers to prepare for the reopening of venues delivered significant funds for all companies, covering costs incurred and paying artists

THE LABORATORY …a bAKEHOUSE / Montague Basement partnership developed work, and offered peer networking and dramaturgical support

PHONE A FRIEND …a personalised mentoring program assisted early career artists to stay connected in the time of COVID

PRODUCER UPSKILLING BounceBack … a digital program of personalised meetings guiding producers through budgets, marketing and promotional campaigns, design, personnel, and product delivery. By running these during the Covid closure, we equipped producers and production companies to quickly deliver quality productions when trading recommenced, and invested in the success of their seasons

COVID COMMISSIONS …There wasn’t a lot of spare cash around but thanks to some brilliant private supporters and the generosity of KX Hotel, we were able to scrape together a little something to invest in a couple of very exciting new *commissioned* works.

EVENTS keen to get audiences back into the theatre as well, so we planned a number of free events at KXT, with the option to support the artists with donated tickets. LEGIT Theatre brought back KXTeethcutting; Rebekah Robertson launched ANALOGUE and our designers hosted film nights and exhibitions.


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